Group Exhibition : “On a Quiet Day, I Can Hear Her Breathing”
13 March – 18 April 2025
Arief Budiman
Basma al-Sharif
Danarto dkk.
Enka Komariah
Noor Abed
Wulan A. Putri
Opening:
13 March 2025 | 16.00 - 19.00 WIB
Public Program:
19 March 2025 | 16.00-18.00 WIB
Book Discussion: "Belajar Lagi Perihal Kesetiakawanan"
with M. Yaser Arafat and Katrin Bandel
moderated by Grace Samboh
22 Maret 2025 | 16.00-18.00 WIB
Artist Talk: Godaan Kota Emas
with Wulan A. Putri and Arief Budiman
respondent Sekar Banjaran Aji & moderated by Pitra Hutomo
Cemeti.- Institute for Art and Society
Jl. D.I. Panjaitan 41, Yogyakarta
Tuesday - Saturday | 10:00 - 17:00
“Our strategy should be not only to confront the empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness – and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe.
Remember this: We be many and they be few. Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” ― Arundhati Roy, War Talk
Inspired by Arundhati Roy’s vision of laying siege to an empire through art, this exhibition affirms our role in resisting injustice and reclaiming narratives. It highlights how personal histories intersect with broader political struggles and fostering dialogue between global movements from Palestine to other parts of the world.
The exhibition opens with Enka Komariah’s mural work, weaving together images of resistance to foster dialogue between global struggles and amplifies cross-continental solidarity. The images on display are deeply rooted in the specific realities of the Palestinian struggle. Nevertheless, they transcend their immediate context, resonating with broader narratives of resistance and resilience against oppression worldwide– including those around us. The mural’s visual language evokes shared experiences of dispossession, defiance, and the enduring pursuit of justice across diverse geographies and histories.
At the entrance is a timeline of Danarto’s short stories on Palestine, created by the Danarto dkk., tracing his literary explorations from 1968 to 2009. Anchored by the recurring notion of Armageddon, which links works written 40 years apart, the timeline features nine stories alongside key historical events that may have shaped his perspectives. Accompanied by Danarto’s drawings, the selection is introduced by the late author himself, reflecting his belief in the equal value of all creations—whether read by humans or termites.
Noor Abed’s A Night We Held Between explores history as a continuous present through the archival song “Song for The Fighters,” weaving sound, space, and collective imagination. Shot in ancient Palestinian landscapes, the film uncovers hidden worlds beneath visible surfaces, intertwining rituals, resistance, and everyday life to highlight the power of collective rhythm in sustaining community.
Wulan A Putri’s video work, Tutaha Subang, Dongeng untuk Anakku which portrays an ecofeminist approach to ecocide and the transmission of knowledge. Set against the threat of palm oil expansion on the Awyu tribe’s land, the video reflects Rikarda Maa’s emotional letter to her daughter, Mila, blending personal narrative with footage of the Sasi Procession. As memories and words falter, the film delves into the experience of a woman as both a mother and a fighter, asserting resilience in the face of colonial encroachment.
On the other side, drawing inspiration from Reverend Izaak Samuel Kijne’s short stories about two friends journeying through Papua, this work follows videographers Arief and Edi as they exchange memories and imaginations shaped by their time there. Their collected footage juxtaposes a vision of Papua’s landscapes with the stark realities of its socio-political conditions. Presented for the first time in this exhibition, Arief Budiman interrogates the complex entanglement of identity, history, and land, exposing the tension between personal memories and the lingering embodied traces of the conflict.
Basma al-Sharif’s installation, The Story of Milk & Honey, is an intimate installation of photographic images, fragmented texts, pencil drawings, and video, tracing a man’s failed attempt to write a love story in Beirut. Blurring the personal and the political, it pieces together secretly taken photographs from Beirut’s Corniche, altered family album images, and redrawn natural history illustrations—each omission and erasure shaping its narrative. Through this layering of memory and fiction, the work reveals how personal longing and political realities intertwine, questioning how we gather, interpret, and reconstruct history to fit our desires.More than a reflection of resistance, the exhibition also serves as an institutional statement for Cemeti and FFD, positioning us within the world’s injustices. In this space, we recognize the transformative power of stories to disrupt, challenge, and reshape imposed narratives, affirming that another world is not only possible but already on its way. This realization empowers us and fills us with hope for a better future—”On a quiet day, I can hear her breathing.”
Dito Yuwono & Mira Asriningtyas
Directors of Cemeti – Institute for Art and Society
Gallery



























Documentation























Biography

Arief Budiman is an artist and filmmaker based in Yogyakarta. He often uses moving images and media art in his work. In recent years, Arief's artistic practice has been closely linked to the internet, archives, and collective memory related to the history of violence of Indonesia. According to him, archives and technology are some instruments that can open up other possibilities in reading past events. Through this instrument, Arief created an alternative history to the established narrative and created a counter-narrative through the memories of people who had been absent and taboo to talk about.
In 2023, Arief won an award for best short documentary from the Indonesian Film Festival, also he won Julius Baer - Next Generation Art Prize 2021 in Singapore in the moving image category. He currently joined two active collectives in the art and film world, MES 56 and Piring Tirbing. Arief's works have been shown and exhibited in many countries. Such as Norient Festival (2024), Sharjah Film Platform 6 (2023), Biennale Jogja XVI Equator #6 (2021), Art Fair Philippines (2021), “Transient Museum of Thousand Conversation” ISCP - New York (2020), “Gerobak Cinema” at Dhaka Art Summit, Bangladesh (2020), Arkipel - Jakarta International Documentary and Experimental Film Festival “Bromocorah” (2019), 36th Kassel Film and Video Documentary Festival - Kassel (2019), Documentary Film Festival “Docs Docs” (2019), V Nodo Caracas Video Festival - Barcelona (2019), Indonesia Neataudio Festival 3.0 (2018), “The Worldwide Exhibition” Vieniti4/Siete Galeria - Costa Rica (2017), etc.
Palestinian artist/filmmaker Basma al-Sharif explores cyclical political histories and conflicts. In films and installations that move backward and forward in history, between place and non-place, she confronts the legacy of colonialism through satirical, immersive, and lyrical works.She received an MFA from the University of Illinois at Chicago in 2007, was a resident of the Fondazione Antonio Ratti in 2009, the Pavillon Neuflize OBC at the Palais de Tokyo in 2014-15. She received a Jury prize at the Sharjah Biennial in 2009, was awarded a Visual Arts of the Fundación Botín in 2010, Mophradat’s Consortium Commissions in 2018, she was a fellow of the Berlin Artistic Research Grant Programme for 2022-2023 and was nominated for the Prix Aware for 2024.Al-Sharif’s Major exhibitions include: De Appel, the Ruttenberg Contemporary Photography Series for the Museum of the Art Institute of Chicago, Modern Mondays at MOMA, CCA Glasgow, SALT Galata, the Whitney Biennial, Here and Elsewhere at the New Museum, Berlin Documentary Forum, and Manifesta 8. Her films have screened in the international film festivals of Locarno, Berlin, Mar del Plata, Milan, London, Toronto, New York, Montreal, and Yamagata amongst others.
Basma is based in Berlin and represented by Galerie Imane Farés in Paris.

Danarto dkk. (initiated 2020) is a research project that aims to unfold the different trajectories of the life and work of Danarto. In Indonesia’s national language, dkk. is an abbreviation that means ‘… and friends.’ Danarto dkk. believes that archival work will only find its significance through encounters with—and use by, therefore easily accessible for—a wider public. Some of the activities that Danarto dkk. have attempted to bring archives to the public includes: presentation/discussion events, archive exhibitions, music concerts, radio broadcasts, workshops, panel discussions with experts. Initiated and done by a group of cross-disciplinary practitioners and academicians, Danarto dkk. is open to anyone who is interested in joining the current group of people involved:Akmalia Rizqita “Chita” Researcher, comic artist, part of Hyphen—Andri SetiawanWriter, researcher, part of Hyphen—Anissa Rahadiningtyas Sejarawan seni, kurator estetika Islam modern dan kontemporer di Asia Tenggara National Gallery SingaArt historian, curator of modern and contemporary Islamic aesthetics in Southeast Asia at the National Gallery SingaporeArie Syarifudin a.k.a. Alghorie Cross-disciplinary artist and designer, part of Jatiwangi Art FactoryEnin SupriyantoArt worker, writer, cook, musician, founder of RUBANAH Underground HubGrace SambohWriter, researcher, part of Hyphen—, programme director for RUBANAH Underground HubHS Hairus SalimWriter, research consultant, executive director of Yayasan LKIS (Lembaga Kajian Islam dan Sosial), manager of Gading Publisher and Lumbung Informasi Kebudayaan (LIKE) IndonesiaJulian Abraham “Togar”Artist, musicianRachel K. Surijata Art worker, researcher, part of Hyphen—Ratna Mufida Art worker, researcher, part of Hyphen—Ruhaeni IntanWriter, researcher, part of Hyphen—Sakdiyah Ma’rufStand-up comedian, awardee of Vaclav Havel International Prize for Creative Dissent (2015), BBC’s 100 Women (2018), dan BBC Cultural Frontline’s 12 Artists that Changed the World (2019)Saleh HuseinArtist, musician, guitarist for the bands White Shoes & The Couple’s Company and The AdamsSetyaji AsfaniMusician, art worker

Enka Komariah , Born in 1993 and living in Yogyakarta, Indonesia. The strength of Enka's work lies in the paper which is transformed into various mediums and imaginative narrative as the main idea in the work. Enka often plays with various satirical and ironic symbols as well as playing with the blurry boundaries between taboos and norms in society's view. Enka's interest in cultivating her own identity, which is based on an agrarian Javanese tradition and juxtaposing it with contradictory popular cultural images, has become a distinctive character in Enka's work.
Aside from practicing as an individual artist, he is also part of Gegerboyo Collective. His works have been presented in several exhibitions such as ArtJog, Cemeti Institute for Arts and Society, Setouchi Triennale, Art Maebashi, among others. He also won the prize as Commended UOB Painting of the Year (2020), and the winner of Young Artist Awards ArtJog (2019).

Noor Abed (Palestine) is an interdisciplinary artist and filmmaker. She works at the intersection of performance and film.Through a process of image making, her works create situations where social possibilities are both rehearsed and performed. Abed attended the Whitney Independent Study Program in Νew York in 2015-16, and the Home Workspace Program (HWP) at Ashkal Alwan, Beirut 2016-17. She was a fellow at the Raw Material Company in Dakar in 2019, and in 2020, she co-founded, with Lara Khaldi, the School of Intrusions, an independent educational collective in Ramallah, Palestine. Abed was a curatorial assistant in documenta fifteen, Kassel 2021-22, and an artist in residence at the Rijksakademie in Amsterdam 2022-24. She was awarded the Han Nefkens Foundation/Fundació Antoni Tàpies Video Art Production Grant in 2022, and her film 'A Night We Held Between' was selected as a first-prize winner of the e-flux Film Award 2024. Her book 'Stars at Midday' was recently published in October 2024.

Wulan A. Putri is a public historian and documentary filmmaker dedicated to revealing the rich and complex narratives of women's experiences. Her work delves into the legacies of colonialism and extractivism, exploring how these historical forces shape both individual and collective identities. Through her artistic expression, Wulan seeks to illuminate the intricate connections between societal structures and personal realities, bringing attention to voices that are often marginalised in mainstream discourse. By questioning established narratives, she invites audiences to engage with these diverse stories, enhancing our understanding of the dynamics that impact women’s lives.
